Camellia Grace Learn Article #21

The Decoration of Houses: Edith Whartonโ€™s Works and Presence in the Gilded Age

Photograph of writer Edith Wharton, taken by E. F. Cooper, at Newport, Rhode Island. Circa 1890. Cabinet photograph. Public Domain.

Long before she was known as a novelist, Edith Wharton was known in Newport as a summer resident with firm opinions about rooms. Born Edith Newbold Jones in 1862, she spent her childhood summers at Pen Craig, her parentsโ€™ estate overlooking Newport Harbor.


In 1893, she and her husband, Edward โ€œTeddyโ€ Wharton, bought Landโ€™s End, a wooden house facing the Atlantic. Wharton thought the house was ugly but loved its views. To improve it, she hired Ogden Codman Jr., a young Boston architect who shared her dislike of cluttered Victorian interiors.

 

The project led to The Decoration of Houses, which Charles Scribner's Sons published in 1897 after Macmillan rejected it. The book argued that decoration belonged to architecture, not to dressmakers and upholsterers, and that a room should follow the same rules of proportion and symmetry as the building around it.

 

Wharton was blunter in private. In a letter to Codman she complained that the Vanderbilts were entrenched in "a sort of Thermopylae of bad taste." She had nonetheless introduced Codman to Cornelius Vanderbilt II, who hired him to design rooms at The Breakers, the Newport house Cornelius shared with Alice Vanderbilt.


Newport eventually wore on Wharton. She disliked its damp climate and what she called its โ€œwatering place triviality.โ€ In 1901, she bought land outside Lenox, Massachusetts, to build a house according to the bookโ€™s principles, from the foundation up.


Codman began the plans for The Mount, but the two fell out, and Francis L. V. Hoppin finished the design. The Whartons moved in during 1902, and there Edith turned seriously to fiction. 


The House of Mirth (1905), a novel about the friction between New Yorkโ€™s old families and its new financiers, sold 140,000 copies by the end of the year. Newport remained material for her writing rather than a home. She drew on its summer society in The Age of Innocence, which made her the first woman to win the Pulitzer Prize for Fiction.


She later called her decorating book an odd and unexpected beginning to her literary career.

Other Words, People and Phrases:

In a dither: A state of nervous agitation or flustered indecision.

Hoist with her own petard: Undone by her own scheme against someone else. The phrase comes from Shakespeare's Hamlet, where a petard is a small bomb.

Charlotte Russe: A chilled dessert of Bavarian cream in a mold lined with ladyfingers, created by the French chef Antonin Carรชme in the early nineteenth century.

Sources:

https://newporthistory.org/edith-wharton-ogden-codman-the-decoration-of-houses/
https://salvearchives.libraryhost.com/agents/codman_ogden
https://en.wikipedia.org/wiki/Ogden_Codman_Jr.
https://digitalcommons.fairfield.edu/cgi/viewcontent.cgi?article=1143&context=english-facultypubs
https://www.csmonitor.com/1990/0712/uwhart.html
https://books.google.com/books/about/The_Decoration_of_Houses.html?id=rtMDAAAAYAAJ
https://home.nps.gov/places/themount.htm
https://arthistorians.info/whartone/
https://en.wikipedia.org/wiki/The_House_of_Mirth
https://www.dictionary.com/browse/dither
https://pwrites.princeton.edu/tools-and-insights/petards-and-wringers-in-the-limelight/
https://ebenezermaxwellmansion.org/charlotte-ruse/

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